The fault in our stars full movie
![the fault in our stars full movie the fault in our stars full movie](https://m.media-amazon.com/images/M/MV5BMTAxODgxNzQ0NjheQTJeQWpwZ15BbWU4MDY5OTkzOTEx._V1_.jpg)
(He brought his real life to bear here too, losing a parent to cancer.) The screenwriters boast experience in upending romantic subgenres, having most famously penned “(500) Days of Summer,” the anti-romantic comedy inspired by Neustadter’s interactions with an emotionally manipulative ex-girlfriend. “We set up that expectation of two people isolated on a trip, but it soon becomes less of that and goes against the expectations of the genre,” Weber said. The excursion to the Netherlands at first has the trappings of many a romcom trip to Europe, before rounding the corner to a less familiar place.
![the fault in our stars full movie the fault in our stars full movie](https://www.hollywoodreporter.com/wp-content/uploads/2014/06/tfios_text_forthr.jpg)
Neustadter calls it “very Wizard of Oz - they search for answers from someone who turns out to be a total fraud, but the experience and the journey together is what they realize they need all along.” The scene resonates for any of us who’ve had the experience of realizing our heroes are human.
#THE FAULT IN OUR STARS FULL MOVIE MOVIE#
Indeed, the movie turns when the couple take that trip to Amsterdam to meet Hazel’s favorite author, a man (Willem Dafoe) who had written a cancer novel called “My Imperial Affliction” and who turns out to be not nearly the savior Hazel anticipated. But it was such a big deal in the novel and such a huge moment for these characters, we felt we had to go there and make it work as best we can.“ “We could definitely see how some people would be uneasy with it. “It was definitely a hot-button concept, because it was Anne Frank and the Holocaust, and are we comparing the struggle?” Neustadter said. That a tender kiss between Hazel and Gus takes place there only ups the ante. The pair deliberated most, they said, on a scene at the Anne Frank House in Amsterdam, where there are at least elliptical connections made between Hazel’s plight and that of the famous Holocaust victim. It took Neustadter and Weber several drafts and the input of others before they realized they had to make Wolff’s character sound more distinct than their original version did. It isn’t exactly typical teenage stuff.Īnd a scene in which Gus stages his own funeral has friend Isaac (Nat Wolff) offering his own Gus-like linguistic flourishes. Gus in particular is prone to metaphor (he perpetually holds a cigarette in his mouth but doesn’t light it - to show, he says, that he can confront danger without giving it the power to harm him). The writers also were forced to weigh the language carefully.
![the fault in our stars full movie the fault in our stars full movie](http://3.bp.blogspot.com/-0CKv_sHdPsE/UxqR1UlgHPI/AAAAAAAAGFc/rxyLvM8TYek/s1600/The_Fault_In_Our_Stars_Official_Trailer__kissthemgoodbye_net_0119.jpg)
Their approach was to keep many of the book’s key scenes - several near-death experiences are portrayed frankly - without lingering on or wallowing in them (an attitude, incidentally, taken by the characters themselves). How do you make sure it isn’t too much or too little?” It’s tough to navigate what the audience can handle in a 120-minute interval. “People are falling in love, and then there are crushing trips to the hospital and midnight lung scares. “Writing this script was very much a matter of how you navigate the ups and downs and the crazy roller coaster that’s going on emotionally,” Neustadter said. A book, less visual than a movie and not meant to be consumed in one sitting, can get away with a lot more relentless grief and illness. But it also made for a tricky adaptation challenge. That latter aspect has given the book a realism lacking in the otherwise werewolf- and futurism-filled canon of YA literature. Since hitting bookstores in early 2012, Green’s book has been a major hit, offering to young (and plenty of older) readers a seemingly perfect romance against the backdrop of some morbidly imperfect circumstances. Judging by the reaction to the John Boone film last weekend - strong reviews, an “A” CinemaScore and a weekend-best $48 million at the box office - the screenwriters succeeded. Yet that was the challenge facing Neustadter, 37, and Weber, 36, the up-and-coming Hollywood screenwriters charged with adapting Green’s book about a sweet and playful romance between Hazel (Shailene Woodley) and Gus (Ansel Elgort), two young people with highly aggressive forms of cancer. Adapting one in which teenagers are confronting their own mortality is that much harder. Adapting any fan-favorite book isn’t easy.